{"id":1781,"date":"2018-07-02T11:44:13","date_gmt":"2018-07-02T11:44:13","guid":{"rendered":"https:\/\/ocupart.pt\/henrique-vieira-ribeiro-horizontes\/"},"modified":"2018-10-05T19:34:44","modified_gmt":"2018-10-05T19:34:44","slug":"henrique-vieira-ribeiro-horizontes","status":"publish","type":"post","link":"https:\/\/ocupart.pt\/en\/henrique-vieira-ribeiro-horizontes\/","title":{"rendered":"EXPO Henrique Vieira Ribeiro – Horizontes Brancos"},"content":{"rendered":"[mk_page_section bg_position=”center center” bg_repeat=”no-repeat” bg_stretch=”true” enable_3d=”true” min_height=”0″ js_vertical_centered=”true” padding_top=”0″ padding_bottom=”0″ sidebar=”sidebar-1″][vc_column width=”2\/3″][vc_empty_space height=”40″][vc_column_text css=”.vc_custom_1531735367290{margin-bottom: 0px !important;}”]\n

Henrique\u00a0Vieira Ribeiro + Alfredo Antunes<\/h1>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1536660262126{margin-bottom: 0px !important;}”]\n

White Horizons<\/h2>\n[\/vc_column_text][vc_empty_space height=”15″][vc_column_text css=”.vc_custom_1536660350771{margin-bottom: 0px !important;}”]\n

Opening September 12, 7pm
\nExhibition\u00a0 Setember 13 – October 4,\u00a0 2018<\/h5>\n

Espa\u00e7o Cam\u00f5es da Livraria S\u00e1 da Costa
\nPra\u00e7a Lu\u00eds de Cam\u00f5es, 22, 4th floor, Lisbon[\/vc_column_text][mk_divider style=”thin_solid” divider_width=”custom_width” custom_width=”125″ align=”left” thin_single_color=”#cccccc”][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/mk_page_section][mk_page_section min_height=”0″ padding_top=”0″ padding_bottom=”0″ sidebar=”sidebar-1″][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1536660436963{margin-bottom: 0px !important;}”]\n

In White Horizons, Henrique Vieira Ribeiro uses private audiovisual elements which he associates original objects in his recording and viewing, questioning the limits of life imagined as a narrative. Thus, layers of return (past, fabled, thanks to the proximity with the original images), suspension (present, the moment of presentation), and resumption (future, the result of narratives built on the fruition of these new images) are invoked. [1]<\/span><\/p>\n

This reflexion is based on a practice of our antipodes: appropriating \u201csoulless\u201d images (whose origins we don\u2019t know anymore, not having the potential resumption for this reason), as Henrique tests the limits of the conflict between the documental and the primary author identification fiction, with whom he shares the credits for this exhibition.<\/span><\/p>\n

 <\/p>\n[1] AUG\u00c9, Marc (2001[1998]) As Formas do Esquecimento.<\/em> Almada: \u00cdman Edi\u00e7\u00f5es.[\/vc_column_text][vc_empty_space height=”20″][vc_column_text el_class=”info-pagina” css=”.vc_custom_1536922906925{margin-bottom: 0px !important;}”]INFORMATION SHEET<\/strong><\/a>[\/vc_column_text][vc_empty_space height=”20″][\/vc_column][vc_column width=”1\/2″]

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