{"id":5315,"date":"2025-01-28T12:39:18","date_gmt":"2025-01-28T12:39:18","guid":{"rendered":"https:\/\/ocupart.pt\/altina-martins-viajor\/"},"modified":"2025-02-11T10:17:02","modified_gmt":"2025-02-11T10:17:02","slug":"altina-martins-viajor","status":"publish","type":"post","link":"https:\/\/ocupart.pt\/en\/altina-martins-viajor\/","title":{"rendered":"EXPO – Altina Mar – VIAJOR"},"content":{"rendered":"
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Altina Mar<\/h1>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1738088196647{margin-bottom: 0px !important;}”]\n

VIAJOR<\/b><\/span><\/h2>\n

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Opening: 6 February, 6.30pm<\/h5>\n
Exhibition: from 7 February to 8 March 2025 | Mon-Fri 12h-19h, Sat 14h-20h<\/h5>\n

Sociedade Nacional de Belas Artes<\/strong><\/a><\/p>\n

Rua Barata Salgueiro, n\u00ba 36, Lisboa<\/h5>\n[\/vc_column_text][mk_divider style=”thin_solid”][\/vc_column][\/vc_row][mk_page_section min_height=”0″ padding_top=”0″ padding_bottom=”0″ sidebar=”sidebar-1″][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1738089894123{margin-bottom: 0px !important;}”]\n
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The Viajor Exhibition, displayed at the Sociedade Nacional de Belas Artes, between 7 February and 8 March 2025, is a symbolic interpretation of the Portuguese Discoveries, paying homage to Lu\u00eds Vaz de Cam\u00f5es and his epic poem \u00b4Os Lusiadas`<\/i>, marking 500 years of the poet’s life and work.<\/p>\n

The artwork comprises a polyptych of tapestries, created between 1993 and 2024, representing the starting and ending points of a narrative. It evokes the steps, encounters, and missteps of this epic journey, reflecting a personal conquest with an aesthetic and spiritual purpose.<\/p>\n

It spans two distinct phases of the artist’s creative career: the classical-style tapestries, first showcased in 2002 at the \u00b4P\u00e1tria Mundo`<\/i> exhibition at the Museu Nacional do Traje, in Lisbon and the more experimental, contemporary works, exhibited in 2023 at the \u00b4Habitat and the Poetics of the Five Senses`<\/i> exhibition at the Museu Nacional de Hist\u00f3ria Natural e da Ci\u00eancia, also in Lisbon.<\/p>\n

Despite the stylistic differences, the narrative character remains constant throughout the exhibition. Whether through figurative or abstract representations, the tapestries have a profoundly personal dimension, rendering them enigmatic and inviting the viewer to interpret their titles and subtitles as an initiatory journey.<\/p>\n

The techniques employed combine the binary crossing of threads, following both the classical tradition of the Manufacture \u00b4des Gobelins<\/i>` and experimental approaches. The work incorporates a broad range of materials, from natural fibres such as linen, wool, silk, and cotton to functional and climate-responsive artificial fibres. Precious metals like silver, copper, and gold, as well as limestone and semi-precious stones, shells, and glass, enrich the composition. Additionally, unexpected elements of a surrealist nature, such as clogs, shovels, and spinning wheels, lend the work a unique symbolic and descriptive dimension.<\/p>\n

Constant creative evolution drives the experimentation with new materials and ways of capturing light, creating innovative atmospheres. The tapestry expands across multiple planes, offering an immersive sensory experience while seeking harmony between chaos and order. The artwork reveals the coexistence of opposites, such as masculine and feminine, technique and sensitivity, science, art, and nature, in a singular balance.<\/p>\n

In perpetual transformation, the work reflects the impossibility of its conclusion, pointing toward a path of reconciliation with the planet, embedded within an aesthetic of resistance.<\/p>\n

Luisa Moreira\u00a0<\/span><\/p>\n

Based on texts by Dr Madalena Braz Teixeira, in the catalogue P\u00e1tria Mundo, 2000 and by Altina Martins, in the catalogue Habitat e a Po\u00e9tica dos Cinco Sentidos, 2023<\/h6>\n

“<\/em>Tecer \u00e9 um fluxo de habilidades que se entrela\u00e7am, \u00e9 uma arte misteriosa”<\/em>
\n\u00a0Altina Mar<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Altina Mar<\/strong><\/p>\n

\u2018Weaving is a flow of skills that intertwine, it’s a mysterious art\u2019<\/em><\/p>\n

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Maria Altina Martins, better known as Altina Mar (1953), began her career in tapestry at the beginning of the 1970s. Her training and the refinement of her artistic and technical sensibility had the fundamental support of the Calouste Gulbenkian Foundation, which awarded the artist two important scholarships. The first grant, in 1978\/1979, allowed her to carry out in-depth research into Natural Weaving and Dyeing Methods, which she developed in the regions of Coimbra, Minho and Tr\u00e1s-os-Montes. The second grant, between 1995 and 1996, took her to the Manufacture des Gobelins in Paris, where she specialised in Woven Tapestry, one of the most prestigious tapestry schools in the world.<\/p>\n

Altina Martins’ exhibition career is long and includes dozens of solo and group exhibitions.<\/p>\n

In addition to her vast body of work, Altina Martins leaves an equally significant legacy in the field of textile teaching. As a teacher at Lisbon’s Escola Art\u00edstica Ant\u00f3nio Arroio, she played a fundamental role in the training of several generations of students, from 1981-1982 to 1988-2021. Throughout these decades, she not only taught techniques, but also inspired a new understanding and appreciation of tapestry as an art, perpetuating her legacy in the education and preservation of this tradition.<\/p>\n

It is represented in the following institutional and private collections: Santu\u00e1rio de F\u00e1tima (1990); Centro Ismaelita de Lisboa (1991); C\u00e2mara Municipal de Montalegre (1992); Museu Nacional do Traje (1993), (2000) and (2008); Biblioteca de Montalegre (2004); Biblioteca de Albufeira (2004); Museu dos Lanif\u00edcios da UBI, Covilh\u00e3 (2010); Museu Nacional do Teatro (2011); Pal\u00e1cio de Alpedrinha da C. M. Fund\u00e3o (2012); Ecomuseu de Montalegre (2014); Funda\u00e7\u00e3o Calouste Gulbenkian Foundation (2020). M. do Fund\u00e3o (2012); Ecomuseum of Montalegre (2014); Calouste Gulbenkian Foundation (2020).<\/p>\n

Link to the artist\u00b4s \u00a0CV\u00a0<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space height=”20″][vc_column_text el_class=”info-pagina” css=”.vc_custom_1632915928162{margin-bottom: 0px !important;}”][\/vc_column_text][vc_empty_space height=”20″][\/vc_column][vc_column width=”1\/2″]

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ADAMASTOR, 1994<\/b><\/p>

Temor<\/i> <\/i>e<\/i> <\/i>motiva\u00e7\u00e3o<\/i><\/p>

Gobelins experimental \/ \u00a0Experimental gobelins<\/em><\/p>

L\u00e3, linho e seda natural fiados manualmente, algod\u00e3o, seda vegetal e fios met\u00e1licos, pigmentos de cochinilha, indigo, cebola, sabugueiro e ruiva. \/ Handspun wool, linen and natural silk, cotton, vegetable silk and metallic threads, cochineal, indigo, onion, elderberry and redhead pigments, linen fabric printed with aniline reserve, wheat flour and gold pigment; embroidered with cotton, natural silk and viscose dyes.<\/em><\/p>

125X125 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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ADAMASTOR, 1994\u00a0<\/b><\/p>

(Pormenor \u00a0\/ Detail )
Temor ou Vento Mau \u00a0 \/ Fear or ill wind\u00a0<\/em><\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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ADAMASTOR, 1994\u00a0<\/b><\/p>

(Pormenor \u00a0\/ Detail )
Motiva\u00e7\u00e3o ou Vento bom \u00a0 \/ Motivation or Fair wind<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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CHAGAS - ARMAS, 1997<\/b><\/p>

A motiva\u00e7\u00e3o<\/i><\/p>

Gobelins experimental e tecelagem manual \/\u00a0 <\/span>Experimental Gobelins and hand weaving<\/em><\/p>

Algod\u00e3o, linho fiado manualmente, seda natural, seda vegetal r\u00e1fia natural e roldana de madeira chamada pomba ou castelo (usada na movimenta\u00e7\u00e3o de li\u00e7os nos teares manuais) \/ Cotton, hand-spun linen, natural silk, vegetable silk, natural raffia and a wooden pulley called a dove or castle (used to move the looms on handlooms)<\/em><\/p>

30X30 cm | 44X10 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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DINAMEN, 1998\/99<\/b><\/p>

A guerra e o amor<\/i><\/p>

Gobelins experimental \/ Experimental gobelins<\/em><\/p>

L\u00e3, algod\u00e3o, seda natural, seda vegetal, r\u00e1fia, crina, pigmentos anilinas, cochinilha e indigo \/ Wool, cotton, natural silk, vegetable silk, raffia, horsehair, aniline pigments, cochineal and indigo<\/em><\/p>

350X167 cm | 350X78 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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MAR, <\/b>1993<\/b><\/p>

O Desafio e a conquista<\/i><\/p>

Hanchures, cl\u00e1ssica \/ Classic Hanchures<\/em><\/p>

Algod\u00e3o, conchas, r\u00e1fia e seda \/ Cotton, shells, raffia and silk<\/em><\/p>

47X41 cm | 74X76 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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S\u00cdMBOLO E MITO, <\/b>1999<\/b><\/p>

O Concreto e o imagin\u00e1rio<\/em><\/p>

T\u00e9cnica mista \/ Mixed technique<\/em><\/p>

Fio de prata, pepita de prata dourada, alian\u00e7a de prata e seda natural \/ Silver wire, gold-plated silver nugget, silver ring and natural silk<\/em><\/p>

45X24 cm\u00a0<\/span><\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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VELA, 1999<\/b><\/p>

As Asas do engenho<\/i><\/p>

Gobelins experimental \/ Experimental Gobelins\u00a0<\/p>

L\u00e3 fiada manualmente, linho, seda natural, algod\u00e3o, papel, r\u00e1fia e ouro \/ Hand-spun wool, linen, natural silk, cotton, paper, raffia and gold<\/em><\/p>

40X125 cm\u00a0<\/span><\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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B\u00daSSOLA, <\/b>2000<\/b><\/p>

Orienta\u00e7\u00e3o e conhecimento<\/i><\/p>

Hanchures, cl\u00e1ssica \/ Classic Hanchures<\/em><\/p>

Linho, l\u00e3, pedras semi-preciosas e \u201cagulhas\u201d (broches) usadas na realiza\u00e7\u00e3o da tape\u00e7aria da Manufacture des Gobelins,<\/i> pigmentos de pau-brasil e rucu. \/ Linen, wool, semi-precious stones and \u201cneedles\u201d (brooches) used to make the Manufacture des Gobelins tapestry, brazilwood and rucu pigments<\/em><\/p>

32 x 24 cm\u00a0<\/span><\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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VIAJOR, 1997\/2000<\/b><\/p>

A multiculturalidade - Tape\u00e7aria personagem\u00a0<\/i><\/p>

T\u00e9cnica mista \/ Mixed technique<\/em><\/p>

R\u00e1fia, algod\u00e3o, seda natural, seda artificial, linho, cabedal, papel, madeira,\u00a0 <\/span>fio de cobre, fio de nylon, ferro, arame, palha de a\u00e7o, missangas de cer\u00e2mica pintadas manualmente, escamas de peixe, gaze, espuma, cabelo, tripas secas e corti\u00e7a \/ Raffia, cotton, natural silk, artificial silk, linen, leather, paper, wood, copper wire, nylon thread, iron, wire, steel wool, hand-painted ceramic beads, fish scales, gauze, foam, hair, dried gut and cork<\/em>\u00a0<\/span><\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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VIAJOR, 1997\/2000<\/b><\/p>

A multiculturalidade - Tape\u00e7aria personagem\u00a0<\/i><\/p>

T\u00e9cnica mista \/ Mixed technique<\/em><\/p>

R\u00e1fia, algod\u00e3o, seda natural, seda artificial, linho, cabedal, papel, madeira,\u00a0 <\/span>fio de cobre, fio de nylon, ferro, arame, palha de a\u00e7o, missangas de cer\u00e2mica pintadas manualmente, escamas de peixe, gaze, espuma, cabelo, tripas secas e corti\u00e7a \/ Raffia, cotton, natural silk, artificial silk, linen, leather, paper, wood, copper wire, nylon thread, iron, wire, steel wool, hand-painted ceramic beads, fish scales, gauze, foam, hair, dried gut and cork<\/em><\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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VENTO, 2008<\/b><\/p>

O sopro divino<\/i><\/p>

T\u00e9cnica mista \/ Mixed technique<\/em><\/p>

A\u00e7o inoxid\u00e1vel, revestido com algod\u00e3o, l\u00e3, seda, fios de cobre e prata de lei, fios dourados e prateados, fios refletor, glow in the dark e sunlight colour \/ Stainless steel, coated with cotton, wool, silk, copper and sterling silver threads, gold and silver threads, reflective threads, glow in the dark and sunlight color<\/em><\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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FLORESTA, 2004\/23<\/b><\/p>

Terra firme<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique\u00a0<\/span><\/i><\/p>

Algod\u00e3o; borracha; cana de bambu; empreita; missangas; seda; passamanaria em seda; r\u00e1fia; reflector; folhas de palmeira e de eucalipto; gaze tingida com anilinas, aro de bordar \/ Cotton; rubber; bamboo cane; lace; beads; silk; silk trimmings; raffia; reflectors; palm and eucalyptus leaves; aniline-dyed gauze, embroidery hoop<\/i><\/p>

175X199x33 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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FLORESTA, 2004\/23<\/b><\/p>

Terra firme<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique\u00a0<\/span><\/i><\/p>

Algod\u00e3o; borracha; cana de bambu; empreita; missangas; seda; passamanaria em seda; r\u00e1fia; reflector; folhas de palmeira e de eucalipto; gaze tingida com anilinas, aro de bordar \/ Cotton; rubber; bamboo cane; lace; beads; silk; silk trimmings; raffia; reflectors; palm and eucalyptus leaves; aniline-dyed gauze, embroidery hoop<\/i><\/p>

175X199x33 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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\u00c9TER, 2016\/23<\/b><\/p>

O sopro divino que envolve os c\u00e9us<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i><\/p>

Pedra calc\u00e1ria fossilizada, prata, glow in the dark e reflector. \/ Fossilised limestone, silver, glow in the dark and reflector. \u00a0<\/span><\/i><\/p>

88x49x3 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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\u00c9TER, 2016\/23<\/b><\/p>

O sopro divino que envolve os c\u00e9us<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i><\/p>

Pedra calc\u00e1ria fossilizada, prata, glow in the dark e reflector. \/ Fossilised limestone, silver, glow in the dark and reflector. \u00a0<\/span><\/i><\/p>

88x49x3 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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\u00c1GUA, 2021\/23<\/b><\/p>

For\u00e7a de Vida e Conex\u00e3o<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i><\/p>

Fios de algod\u00e3o, papel, prata, glow in the dark, fluorescente, reflector e vidro soprado. \/ Cotton, paper, silver, glow in the dark, fluorescent, reflective yarns and blown glass. \u00a0<\/span><\/i><\/p>

101x63x9 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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\u00c1RTICO, 2015<\/b><\/p>

O desconhecido<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i><\/p>

Fios de papel, prata, reflector, seda e madeira de pinho. \/ Paper, silver, reflective, silk yarns and pine wood.\u00a0<\/span><\/i><\/p>

90x329x9 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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ATENA, 2019\/23<\/b><\/p>

A prote\u00e7\u00e3o divina<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique\u00a0<\/span><\/i><\/p>

Alcatruzes; cristais; estrela do mar; madeira de pinho, fios de glow in the dark, papel, prata, reflector, sunlight-colour, celulose, ouro, prata e cobre; sedimento arenoso; estrutura em ferro \/ Buckets; crystals; starfish; pine wood; glow-in-the-dark paper, silver, reflector, sunlight colour, cellulose, gold, silver and copper yarns; sandy silt; iron support.\u00a0<\/span><\/em><\/p>

139X117X25 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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BALEIA, 2019\/23<\/b><\/p>

O desafio \u00e0 coragem<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i><\/p>

Fios de algod\u00e3o, glow in the dark, papel, prata, fluorescente, inox, reflector e seda; vidro. \/ Cotton, glow in the dark, paper, silver, fluorescent, stainless steel, reflective and silk yarns; glass.<\/i><\/p>

140x60x31 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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BALEIA, 2019\/23<\/b><\/p>

O desafio \u00e0 coragem<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i><\/p>

Fios de algod\u00e3o, glow in the dark, papel, prata, fluorescente, inox, reflector e seda; vidro. \/ Cotton, glow in the dark, paper, silver, fluorescent, stainless steel, reflective and silk yarns; glass.<\/i><\/p>

140x60x31 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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CETUS, 2020\/23<\/b><\/p>

A ordem celestial<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i>\u00a0<\/span><\/p>

Fios de algod\u00e3o, glow in the dark, inox, papel, prata, reflector, seda, dourados e prateados; conchas \/ Cotton glow in the dark, stainless steel, paper, silver, reflective, silk, gold and silver yarns; shells. \u00a0<\/span><\/i><\/p>

169<\/i>x57x39 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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NARVAL I, 2015\/24<\/b><\/p>

A Navega\u00e7\u00e3o do Imposs\u00edvel<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i><\/p>

Fios de algod\u00e3o, glow in the dark, inox, papel, prata, refletor e seda; vidro soprado, conchas de lingueir\u00e3o (solen marginatus) e de vieira; arame e areia \/ <\/i>Cotton thread, glow in the dark, stainless steel, paper, silver, reflector and silk; razor clam (solen marginatus) and scallop shells, blown glass and wire \u00a0<\/span><\/i><\/p>

300x124x16 cm\u00a0<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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NARVAL I e II, 2015\/24<\/b><\/p>

A Navega\u00e7\u00e3o do Imposs\u00edvel<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i><\/p>

Fios de algod\u00e3o, glow in the dark, inox, papel, prata, refletor e seda; vidro soprado, conchas de lingueir\u00e3o (solen marginatus) e de vieira; arame e areia \/ <\/i>Cotton thread, glow in the dark, stainless steel, paper, silver, reflector and silk; razor clam (solen marginatus) and scallop shells, blown glass and wire\u00a0<\/i><\/p>

300x124x16 cm | 450x25 cm\u00a0<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t

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CARAVELA DOS NOSSOS 500 ANOS, 2024\/25<\/b><\/p>

A alma dos oceanos<\/i><\/p>

T\u00e9cnica mista \/ Mixed Technique<\/i><\/p>

Fios de algod\u00e3o, glow in the dark, papel, prata, fluorescente, inox, reflector e seda; vidro. \/ Cotton, glow in the dark, paper, silver, fluorescent, stainless steel, reflective and silk yarns; glass<\/i>.<\/i><\/p>

140x60x31 cm<\/p><\/div>\n\n\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t\n\n\t\t\t \n\t\t<\/div>\n\t\t\n\n\t\t